Serenity - The Calming Fairy - Rachel Anderson
Butterflies of this Thought, and Kingdoms of the Sleepy, what is it that you Dream, when this Fairy - nestled in these Boughs?
To the Woodland of the Earth, in the Roots of the Trees - with the speak of the Timeless, slept Serenity. To the Curls of his Tail, in the Dress of a Fairy - with the mind of a Cat, purred Serenity. To the Troughs of this Land, in the Moors of this Realm - with the flutter of a Breeze, dreamt Serenity. In the Sleep of this Willow, with the hint of a Wisp - two Whiskers of Friend, Serenity and Purr. I feel that this artwork has a calming effect upon my soul. I suspect that this is because of it's clever use of blue - both upon this Fairy's dress, and upon the Woodland fog. The blue of the Fairy's dress is used to great effect, as it is responsible for much of the light (of this Fantasy scene). When combined with the blue of the fog, do I feel that Rachel achieves, two powerful effects. First: she creates a night-time scene (where this Fairy rests), but within the magic of a Woodland Realm - the Moors of this Fairyland! Second: she brings balance to the scene, through the suggestion of height, which allows me to focus - on this magical Fairy. I also feel, that Rachel has made use of Fairy Glamour, within two specific places. First: glamour upon this Fairy's wings, which could also simply be, a butterfly resting, upon the back of this - Woodland Queen. Second: glamour upon this Fairy's cat, whose shape seems to mirror, the path of this Fairy's dress (when flipped left to right). As such, I feel that there's a link, between the embroidery of her dress, and the whites of her cat. For it feels as though, this embroidery pulls you down, and in doing so - is it akin to Fairy Dust, where perhaps this Fairy, is something of a shape-shifting cat? If that were so, then the blacks of this cat, are used to suggest, further connections - both in terms of shading, and in terms of balance. For example, if we take the black of this Fairy's eyelids, together with the black of her butterfly wings - then not only is the shading the same (blurred around the edges), but it is used to create a balanced group of three (that appears to be at the same level in the artwork). What of the colour magenta? Well ... I find it interesting, that it is used in two specific places - towards the top of the butterfly wings (in darker tones), and towards the front of this Fairy's hair (in paler tones). As the shading of this Fairy's hair, spins you down - so do I detect, the faintness of magenta, upon the lower-half of this artwork (especially on the bottom left). As such, I feel that the colour magenta, has been used to suggest the existence of a second light source! If that were so, then it's a light source - that seems at home, within the Moors of this Fairy Realm. What of the finer details? Well ... This Fairy's skin, is refined through the inclusion of a necklace, and two bracelets. In Paths of Two, I feel that these necklaces, are akin to - Paths of Power. The glitter upon these necklaces, matches the embroidery upon her dress, which in turn - casts Fairy Dust upon this scene of Fairyland! Overall: an adventurous theme was chosen for this Fairy and her Cat. It's one of Peace - and of Rest. It's one of Sleep - and of Snore. It's one of Magic - and of Dream. Running through the Woods this night, dreaming of a Path to take, the bobbing of the Light this night. The flutter of my Wings this night, the breezing of the Windless flight, the guiding of the Light this night. The bending of a Bough this night, the rising of a Light so bright, Will-o'-the-wisps guide this night - Serenity, and much delight.
17/09/2015 | Victorian Hawk | Web: US | About Fairyland